Amsterdam Impressionism

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Students of the Rijksacademie Amsterdam (1882/83).

Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.

The innovative ideas about painting of the French Impressionists were introduced into the Netherlands by the artists of the Hague School. This new style of painting was also adopted in Amsterdam by the young generation of artists of the late 19th century. Like their French colleagues, these Amsterdam painters put their impressions onto canvas with rapid, visible strokes of the brush. They focused on depicting the everyday life of the city.

Origins

Breitner studied for four-and-a-half years at the Royal Academy, The Hague and came into contact with artists of the Hague School such as Jozef Israëls, Jacob Maris and Anton Mauve, joining the Pulchri Studio. Nevertheless his painting style was always too free to be realist in nature, a hallmark of the Hague School. In 1884 he moved briefly to Paris, coming into contact with impressionism, and on his return he settled in Amsterdam where he became noted for his free and energetic depictions of urban life.[1][2]

Other Amsterdam Impressionists were Floris Hendrik Verster, Isaac Israëls, Willem Bastiaan Tholen, Kees Heynsius, Willem de Zwart, Willem Witsen and Jan Toorop, the last an associate of the Belgian painter James Ensor and a member of the Brussels Les XX. Also included in the movement are a group of late-impressionist woman artists called the Amsterdamse Joffers, whose members included Lizzy Ansingh and Suze Bisschop-Robertson.

The most important Artists of this movement

This artists belong to the 2. generation of the Netherlands Impressionism. The Influence of their work was important on the subsequent movement of modern art in the 20th century.

Gallery of the Amsterdam Impressionism

  • Floris Arntzenius (undated): Marktet with flower stalls, Rijksmuseum Amsterdam.

  • Floris Arntzenius (undated): Spuistraat in Den Haag, privat collection.

  • Johan Coenraad Braakensiek (1926): Hartjesdag, Amsterdam Museum.

  • Nicolaas Bastert (1900): Huis ten Hoorn, Rijswijk, privat collection.

  • Nicolaas Bastert (1890): Veerpont aan de Vecht, privat collection.

  • George Hendrik Breitner (1890): Avond op de Dam in Amsterdam, Royal Museum of fine Arts Antwerpen.

  • George Hendrik Breitner (1893/95): Girl in a Red Kimono - Geisha Kwak, privat collection.

  • George Hendrik Breitner (1883/88): Cavalry, Gemeentemuseum Den Haag.

  • Georg Hendrik Breitner (1893): Singelbrug at Amsterdam, privat collection.

  • Georg Hendrik Breitner (1890): Singelbrug at the Paleisstraat, Amsterdam, privat collection.

  • Georg Hendrik Breitner (1890): Two servants, Teylers Museum Haarlem.

  • Dirk van Haaren (undated): Spring at a creek, privat collection.

  • Heinrich Marten Krabbé (1894): Scene at the market of Brabant, privat collection.

  • Jacobus van Looy (1890/95): Café, Franz-Hals-Museum Haarlem.

  • Jacobus van Looy (1890): Oranjefest, privat collection.

  • Hobbe Smith (1900): Gezicht op het IJ naar het oosten, met de dokken van de Amsterdamsche Droogdok Maatschappij en de kop van het IJ-eiland-Havengezicht van Amsterdam, Amsterdam Museum.

  • Hobbe Smith (1900): Tjalk under sail leaving the port of Amsterdam, privat collection.

  • Hobbe Smith (1913): Gezicht op de IJhaven en de Javakade naar het westen, met een “blauwpijper” van de Nederlandsche Stoomvaart Maatschappij Oceaan-Havengezicht het IJ ten zuiden v-d Handelskade, Amsterdam Museum.

  • Willem Bastiaan Tholen (1910): Zeegezicht met vissersschuiten, Rijksmuseum Amsterdam.

  • Willem Bastiaan Tholen (1904): Zomers riviergezicht met zeilschepen, privat collection.

  • Willem Bastiaan Tholen (before 1931): Sun at the slaughterhouse, Rijksmuseum Amsterdam.

  • Jan Toorop (1904): De schelpenvisser, Rijksmuseum Amsterdam.

  • Jan Toorop (1886): Lady in withe (his wife Annie Hall), privat collection.

  • Johannes Theodorus Toorop: Graanbeurs, sectieltableaux Toorop - Amsterdam.

  • Floris Hendrik Verster (undated): Winter face of a village on the waterfront, privat collection.

  • Floris Hendrik Verster (1910): Stilleven met zinnia's in een gemberpot, Rijksmuseum Amsterdam.

  • Jan Hillebrand Wijsmuller (1900): Market at the Noorderkerk, Amsterdam, privat collection.

  • Jan Hillebrand Wijsmuller (1900): Deploying the traps, privat collection.

  • Jan Hillebrand Wijsmuller (undated): Winter landscape with houses along a canal, privat collection.

  • Willem Witsen (1908): Waiting Cabs, London, Museum Boijmans Beuningen Rotterdam.

  • Willem Witsen (undated): Pakhuizen aan een Amsterdamse gracht op Uilenburg, privat collection.

  • Willem Witsen (1891): Prins Hendrikkade te Amsterdam.

  • Willem Witsen (1900): Portrait von Felicien Bobeldijk, privat collection.

  • Willem de Zwart (1885/1931): The fallen Angel, Rijksmuseum.

  • Willem de Zwart (1880/90): Still life with apples on tray in Delft Blue, Rijksmuseum Amsterdam.

  • Willem de Zwart (1890): Street at Montmartre in the Winter, Rijksmuseum Amsterdam.

Amsterdamse Joffers as part of the Amsterdam Impressionism

The following female artist had contact to the Amsterdamse Joffers:

Gallery of some of the Amsterdamse Joffers, part of the Amsterdam Impressionism

  • Suze Bisschop Robertson (1922): Potatoes, peeled by a farmer's wife, Rijksmuseum Amsterdam.

  • Suze Bisschop Robertson (1900): Woman spinning, Gemeentemuseum Helmond.

  • Suze Bisschop Robertson (before 1922): De Vispoort van Harderwijk, privat collection.

  • Suze Bisschop Robertson (before 1922): Courtyard together with a Work, privat collection.

  • Thérèse Schwartze(1885): Drie meisjes uit het Amsterdamse Burgerweeshuis.

  • Thérèse Schwartze (1899): Prof. Franchimont.

  • Thérèse Schwartze (1902): Portrait from Lizzy Ansingh.

  • Thérèse Schwartze (1918): Portrait of a girl.

  • Thérèse Schwartze (1918): Portrait of Johanna Eugenia Theadora Van Hoorn Schouwe.

References

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