Human Nature (2001 film)
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| Human Nature | |
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Theatrical release poster
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| Directed by | Michel Gondry |
| Produced by | <templatestyles src="Plainlist/styles.css"/>
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| Written by | Charlie Kaufman |
| Starring | <templatestyles src="Plainlist/styles.css"/> |
| Music by | Graeme Revell |
| Cinematography | Tim Maurice-Jones |
| Edited by | Russell Icke |
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Production
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Release dates
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Running time
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96 minutes |
| Country | <templatestyles src="Plainlist/styles.css"/>
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| Language | English |
| Budget | $8.6 million[2] |
| Box office | $1.6 million[3][4] |
Human Nature is a 2001 comedy-drama film written by Charlie Kaufman and directed by Michel Gondry in his directorial debut. The film stars Tim Robbins, Patricia Arquette, Rhys Ifans, Miranda Otto, and Rosie Perez. It tells the story of a writer with hypertrichosis and a psychologist who find a man acting like an ape in the woods.
It was screened out of competition at the 54th Cannes International Film Festival.[5]
Contents
Plot
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s after a brief freak show gig, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man acting like an ape in the woods who has lived as a wild animal his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch, knocked unconscious. Brought to Nathan's lab, the man is named Puff, after Nathan's French research assistant Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lila's help, Nathan performs conditioned reinforcement training on Puff, inculcating him with a veneer of fine manners and high culture, in spite of which Puff still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and he is seduced into an affair by a scheming Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manners training and return him to his natural state.
Lila and Puff live naked in the woods together until found by a threatening Nathan, who is killed by Puff. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest after a brief encounter with his biological mother (Nancy Lenehan).
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle (still with a French accent). They drive off to the city to eat, while Puff looks back thoughtfully at the forest. The ending strongly suggests some unexplained collusion between the two, throwing much of the interpretation of what went on before into question.
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition:[6]
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Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."
Cast
- Patricia Arquette as Lila Jute, a writer with hypertrichosis.
- Hilary Duff as Young Lila Jute
- Tim Robbins as Nathan Bronfman, a psychologist.
- Chase MacKenzie Bebak as Young Nathan Bronfman
- Rhys Ifans as Puff, a man found in the forest acting like an ape.
- Bobby Pyle as Young Puff
- Rosie Perez as Louise, a friend of Lila who specializes in electrology.
- Miranda Otto as Gabrielle, Nathan's assistant who speaks in a French accent.
- Peter Dinklage as Frank
- Mary Kay Place as Mrs. Bronfman
- Robert Forster as Mr. Bronfman
- Toby Huss as Puff's Father, a man who acted like an ape which carried to his son after they relocated to the woods.
- Ken Magee, Sy Richardson, and David Warshofsky as the police detectives
- Bobby Harwell and Daryl Anderson as the congressmen
- Miguel Sandoval as Wendell, a therapist.
- Nancy Lenehan as Puff's Mother
Production
Steven Soderbergh was first interested in directing Charlie Kaufman's script back in late 1996, when Kaufman was still trying to get Being John Malkovich produced. Soderbergh's considerations for casting were for David Hyde Pierce in the role of Nathan Bronfman, Chris Kattan in the role of Puff (likely due to his character Mr. Peepers on Saturday Night Live at the time), and Marisa Tomei in the role of Lila Jute. He was about to go into pre-production when he was offered Out of Sight and after much deliberation he left the project.
Reception
Box office
Human Nature has grossed $705,308 in the United States and Canada,[3] and $869,352 in other territories[4] for a worldwide total of 1.6 million, against a production budget of $8.6 million.[2]
Critical response
On review aggregator Rotten Tomatoes, the film holds a score of 49% based on 94 reviews, and an average rating of 5.8/10. The website's consensus reads, "As quirky as Being John Malkovich but not as funny, Human Nature feels too forced and unengaging."[7] On Metacritic, it has an average score of 56 out of 100 based on 30 critics, indicating "mixed or average reviews."[8]
Roger Ebert awarded the film three-stars out of four, lauding the film's "screwball charm".[9]
See also
References
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- ↑ Opera Theologica p. 31.
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External links
- Human Nature at IMDbLua error in Module:EditAtWikidata at line 29: attempt to index field 'wikibase' (a nil value).
- Human Nature at AllMovieLua error in Module:EditAtWikidata at line 29: attempt to index field 'wikibase' (a nil value).
- Articles with short description
- 2001 films
- English-language films
- 2000s fantasy comedy-drama films
- American satirical films
- Films directed by Michel Gondry
- American fantasy comedy-drama films
- 2001 directorial debut films
- 2000s English-language films
- Films with screenplays by Charlie Kaufman
- StudioCanal films
- Films scored by Graeme Revell
- English-language French films
- 2000s satirical films
- French fantasy comedy-drama films
- French satirical films
