List of European folk music traditions
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This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term folk music can not be easily defined in a precise manner; it is used with widely varying definitions depending on the author, intended audience and context within a work. Similarly, the term traditions in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music areto a distinct group of people and with characteristics undiluted by contact with the music of other peoples; thus, the folk music traditions described herein overlap in varying degrees with each other.
Europe
References
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Notes
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- ↑ Burton, Kim, "The Eagle Has Landed", in the Rough Guide to World Music, pp. 1–6; World Music Central; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Bohlman, pp. 210; Wagner, Christoph, "Soul Music of Old Vienna", in the Rough Guide to World Music, pp. 13–15; *Lua error in package.lua at line 80: module 'strict' not found.
- ↑ The landler and the ländler are not the same dance, despite the similarity in name
- ↑ Nettl, Folk and Traditional Music, pp. 109–112; Krümm, Philippe and Jean-Pierre Rasle, and Jan Fairley, "Music of the Regions" and "A Tale of Celts and Islanders" in the Rough Guide to World Music, pp. 103–113 and 292–297; World Music Central; Lua error in package.lua at line 80: module 'strict' not found.; Hobgoblin Info Source; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Burton, Kim, "Sad Songs of Sarajevo", in the Rough Guide to World Music, p. 31–35; Slobin, Mark, "Europe/Peasant Music-Cultures of Eastern Europe" in Worlds of Music, pp. 167–207; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ The novokomponovana narodna muzika style is clearly not folk music in a scholarly sense, but may be more loosely termed traditional
- ↑ Ritchie, pp. 49, 60, 79; Krümm, Philippe and Jean-Pierre Rasle, "Music of the Regions" in the Rough Guide to World Music, pp. 103–113; Sawyer, pp. 5, 14–15, 58, 133; World Music Central; Winick, Steven D., "Brittany", in Mathieson, pp. 110–139; Ceolas; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Nettl, Folk and Traditional Music, p. 84; Burton, Kim, "The Mystery Voice", in the Rough Guide to World Music, pp. 36–45; Slobin, Mark, "Europe/Peasant Music-Cultures of Eastern Europe" in Worlds of Music, pp. 167–207; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Catalan folk music can be taken to not include the music of the Balearic Islands; however, for the purposes of this list, the islands are included with Catalonia; Krümm, Philippe and Jean-Pierre Rasle, and Jan Fairley, "Music of the Regions" and "A Tale of Celts and Islanders" in the Rough Guide to World Music, pp. 103–113 and 292–297; Lua error in package.lua at line 80: module 'strict' not found.; Hobgoblin Info Source; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Ritchie, p. 48; ; Sawyer, pp. 16–17; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Burton, Kim, "Sad Songs of Sarajevo" and "Toe Tapping Tamburicas", in the Rough Guide to World Music, pp. 31–35 and 46–48; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Nettl, Folk and Traditional Music, p. 91; Plocek, Jiri, "East Meets West", in the Rough Guide to World Music, pp. 49–57; Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Cronshaw, Andrew, "A New Pulse for the Pols", in the Rough Guide to World Music, pp. 58–63
- ↑ Nettl, Folk and Traditional Music, pp. 53–75; Bloemendaal, Wim, "Tilting at Windmills" in the Rough Guide to World Music, pp. 207–210; Kinney, pp. 156–163
- ↑ Nettl, Folk and Traditional Music, pp. 53–75; Ritchie, p. 73; Irwin, Colin, "England's Changing Roots", in the Rough Guide to World Music, pp. 64–82; Kinney, pp. 156–163; Sawyer, pp. 5, 99–100; World Music Central
- ↑ Nettl notes that broadside ballads were primarily a form of popular music, but that many such ballads entered the folk repertoire.
- ↑ Nettl, Folk and Traditional Music, pp. 53–75; Cronshaw, "Singing Revolutions", in the Rough Guide to World Music, pp. 16–24
- ↑ Nettl, Folk and Traditional Music, pp. 53–75; Cronshaw, Andrew, "A New Pulse for the Pols", in the Rough Guide to World Music, pp. 58–63
- ↑ Nettl, Folk and Traditional Music, pp. 53–75, 87; Cronshaw, Andrew, "New Runes", in the Rough Guide to World Music, pp. 91–102
- ↑ 21.0 21.1 Rans, Paul, "Flemish, Walloon and Global Fusion", in the Rough Guide to World Music, pp. 25–30
- ↑ Bloemendaal, Wim, "Tilting at Windmills" in the Rough Guide to World Music, pp. 207–210
- ↑ Nettl, Folk and Traditional Music, pp. 102–106; Krümm, Philippe and Jean-Pierre Rasle, and Alessio Surian, "Music of the Regions" and "Tenores and Tarantellas" in the Rough Guide to World Music, pp. 103–113 and 189–201; Kinney, pp. 156–163
- ↑ Ritchie, pp. 51, 76; Jan Fairley, "A Tale of Celts and Islanders" in the Rough Guide to World Music, pp. 292–297; Sawyer, pp. 5, 19; World Music Central
- ↑ Nettl, Folk and Traditional Music, pp. 53–75, 80; Hunt, Ken, "Kraut Kaunterblast" in the Rough Guide to World Music, pp. 114–125; Kinney, pp. 156–163
- ↑ Manuel, Popular Musics, pp. 127–132; Nettl, Folk and Traditional Music, p. 92; Dubin, Marc and George Pissalidhes, "Songs of the Near East" in the Rough Guide to World Music, pp. 126–142
- ↑ Bohlman, p. 199; Nettl, Folk and Traditional Music, pp. 53–75; Broughton, Simon, "A Musical Mother Tongue" and "Taraf Traditions"in the Rough Guide to World Music, pp. 159–167 and 237–247; Slobin, Mark, "Europe/Peasant Music-Cultures of Eastern Europe" in Worlds of Music, pp. 167–207; Kinney, pp. 190–192; World Music Central
- ↑ Nettl, Folk and Traditional Music, pp. 53–75; Cronshaw, Andrew, "Waiting for the Thaw" in the Rough Guide to World Music, pp. 168–169
- ↑ Ritchie, pp. 15–17, 32–33, 60, 67, 72, 74–75, 77, 80–81; Nettl, Folk and Traditional Music, pp. 53–75; O'Connor, Nuala, "Dancing at the Virtual Crossroads" in the Rough Guide to World Music, pp. 170–188; Kinney, pp. 156–163; Sawyer, pp. 5, 7–10, 36–37, 55–56, 101–105, 111–112, 117–121, 172–176, 232–233
- ↑ The bouzouki is a relatively recent import that is often considered to not be a traditional instrument. O'Connor, however, acknowledges that though "it might seem odd", the bouzouki has "taken firm root" in traditional music.
- ↑ Nettl, Folk and Traditional Music, pp. 106–109; Krümm, Philippe and Jean-Pierre Rasle, and Alessio Surian, "Music of the Regions" and "Tenores and Tarantellas" in the Rough Guide to World Music, pp. 103–113 and 189–201; Kinney, pp. 156–163; World Music Central
- ↑ 32.0 32.1 Cronshaw, "Singing Revolutions", in the Rough Guide to World Music, pp. 16–24
- ↑ Ritchie, p. 43; Sawyer, pp. 5, 17–18
- ↑ Manuel, Popular Musics, pp. 137–139; Burton, Kim, "Tricky Rhythms" in the Rough Guide to World Music, pp. 202–206
- ↑ 35.0 35.1 Burton, Kim, "Balkan Beats" in the Rough Guide to World Music, pp. 273–276
- ↑ Bohlman, p. 210; Nettl, Folk and Traditional Music, pp. 53–75; Cronshaw, Andrew, "Fjords and Fiddles" in the Rough Guide to World Music, pp. 211–218; Sawyers, pp. 79–81; World Music Central
- ↑ Nettl, Folk and Traditional Music, pp. 91–92; Broughton, Simon, "Hanging on in the Highlands" in the Rough Guide to World Music, pp. 219–224; Kinney, pp. 190–191; World Music Central
- ↑ Manuel, Popular Musics, p. 115; Cronshaw, Andrew and Paul Vernon, "Traditional Riches, Fate and Revolution" in the Rough Guide to World Music, pp. 225–236
- ↑ Manuel, Popular Musics, pp. 121, 165; Nettl, Folk and Traditional Music, pp. 115–116; Plocek, Jiri, "East Meets West", in the Rough Guide to World Music, pp. 49–57; Broughton, Simon, "Kings and Queens of the Road" in the Rough Guide to World Music, pp. 146–158; Kinney, pp. 121–155; World Music Central
- ↑ Broughton, Simon, "Taraf Traditions" in the Rough Guide to World Music, pp. 237–247; Slobin, Mark, "Europe/Peasant Music-Cultures of Eastern Europe" in Worlds of Music, pp. 167–207
- ↑ Nettl, Folk and Traditional Music, p. 87; Broughton, Simon and Tatiana Didenko, "Music of the People" in the Rough Guide to World Music, pp. 248–254; Slobin, Mark, "Europe/Peasant Music-Cultures of Eastern Europe" in Worlds of Music, pp. 167–207
- ↑ Cronshaw, Andrew, "Joiks of the Tundra" in the Rough Guide to World Music, pp. 255–260
- ↑ Ritchie, pp. 15–16, 18, 38–39, 40–41, 62, 66, 71–73, 80; Heywood, Pete and Colin Irwin, "From Strathspeys to Acid Croft" in the Rough Guide to World Music, pp. 261–272; Kinney, pp. 156–163; Sawyer, pp. 5, 10–13, 36–37, 39, 80–82, 88–101, 113–116, 121–126, 131–133, 146, 162–164, 202
- ↑ Burton, Kim, "Sad Songs of Sarajevo", in the Rough Guide to World Music, pp. 31–35; Burton, Kim, "Balkan Beats" in the Rough Guide to World Music, pp. 273–276; Kinney, pp. 189–190
- ↑ narodna muzika and novokomponovana narodna muzika translate respectively as folk music and newly-composed folk music; Burton describes both terms as perhaps vague, referring sometimes to traditionally-styled music or outright modern, popular music, which would not qualify as true folk music under any common scholarly definition; Burton also notes that many novokomponovana narodna muzika songs reflect a more Bosnian character than Serbian or Montenegrin.
- ↑ Nettl, Folk and Traditional Music, p. 91; Plocek, Jiri, "East Meets West", in the Rough Guide to World Music, pp. 49–57
- ↑ Burton, Kim, "The Sound of Austro-Slavs" in the Rough Guide to World Music, pp. 277–278
- ↑ Nettl, Folk and Traditional Music, pp. 113–117; Cronshaw, Andrew and Paul Vernon, and Jan Fairley, "Traditional Riches, Fate and Revolution" and "A Tale of Celts and Islanders" in the Rough Guide to World Music, pp. 225–236 and 292–297; Kinney, pp. 121–155; McKinney and Anderson, pp. 614–616; World Music Central
- ↑ Bohlman, p. 210; Nettl, Folk and Traditional Music, pp. 53–75; Cronshaw, Andrew, "Fjords and Fiddles" and "A Devil of a Polska" in the Rough Guide to World Music, pp. 211–218 and 298–307; Kinney, pp. 156–163; World Music Central
- ↑ Hunt, Ken, "Kraut Kaunterblast" in the Rough Guide to World Music, pp. 114–125; Kinney, pp. 156–163
- ↑ Nettl, Folk and Traditional Music, p. 87; Kochan, Alexs and Julian Kytasty, "The Bandura Played On" in the Rough Guide to World Music, pp. 308–312
- ↑ Ritchie, pp. 4, 44–46, 71; Nettl, Folk and Traditional Music, pp. 53–75; Price, William, "Harps, Bards and the Gwerin" in the Rough Guide to World Music, pp. 313–319; ; Sawyer, pp. 5, 13–14, 38–39