National Film Award for Best Non-Feature Film Direction
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| National Film Award for Best Non-Feature Film Direction | |
|---|---|
| Type | National |
| Category | Short Films |
| Description | Excellence in cinematic direction achievement |
| Instituted | 2000 |
| First awarded | 2000 |
| Last awarded | 2014 |
| Total awarded | 14 |
| Awarded by | Directorate of Film Festivals |
| Cash award | ₹150,000 (US$2,200) |
| Medal | Swarna Kamal (Golden Lotus) |
| First awardee(s) | Arun Vasant Khopkar |
| Recent awardee(s) | Renu Savant |
The National Film Award for Best Non-Feature Film Direction is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for non-feature films and awarded with Swarna Kamal (Golden Lotus).
The award was instituted in 2000, at 48th National Film Awards and awarded annually for films produced in the year across the country, in all Indian languages.
Winners
Award includes 'Swarna Kamal' (Golden Lotus) and cash prize. Following are the award winners over the years:
| List of award recipients, showing the year (award ceremony), film(s), language(s) and citation | ||||
|---|---|---|---|---|
| Year | Director(s) | Film(s) | Language(s) | Citation |
| 2000 (48th) |
Arun Vasant Khopkar[1] | Rasikpriya | • Hindi • English |
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For artistically weaving visual metaphors to the rhythms of Hindustani classical music in a stylised and poetic manner.
|
| 2001 (49th) |
Buddhadeb Dasgupta[2] | Jorasanko Thakurbari | English | <templatestyles src="Template:Hidden begin/styles.css"/>
For artistically unfolding the history of the house of the Tagores.
|
| 2002 (50th) |
Anjali Panjabi[3] | A Few Things I Know About Her | English | <templatestyles src="Template:Hidden begin/styles.css"/>
For the film on the saint Mirabai. With rare cinematic virtuosity, she brings together different strands from the elusive Mirabai's drawing upon stories, poetry, myth and legend into a cohesive whole.
|
| 2003 (51st) |
Arvind Sinha[4] | Kaya Poochhe Maya Se | Hindi | <templatestyles src="Template:Hidden begin/styles.css"/>
For the teeming surge of humanity in Howrah station with compassion and warmth.
|
| 2004 (52nd) |
Umesh Vinayak Kulkarni[5] | Girni | Marathi | <templatestyles src="Template:Hidden begin/styles.css"/>
For portraying the impact of sound on a young and sensitive mind with excellent dramatic and cinematic style.
|
| 2005 (53rd) |
Ganesh Shankar Gaikwad[6] | Voices Across the Oceans | • English • Hindi |
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This sensitive film uses simple, masterly non-linear storytelling to take us through a nostalgic journey of BBC’s association with India’s key defining moments in the nation’s history.
|
| 2006 (54th) |
Ramesh Asher[7] | Ek Aadesh – Command For Choti | Hindi | <templatestyles src="Template:Hidden begin/styles.css"/>
For making imaginative use of the locale and cast of characters, and for displaying complete command over all disciplines of film making.
|
| 2007 (55th) |
Jayaraj[8] | Vellapokathil | Malayalam | <templatestyles src="Template:Hidden begin/styles.css"/>
For his minimalist portrayal of the traumatic tale of a faithful canine.
|
| 2008 (56th) |
Umesh Vinayak Kulkarni[9] | Three of Us | Only Music | <templatestyles src="Template:Hidden begin/styles.css"/>
With immense sensitivity, the film offers a slice of life of a physically challenged person, which transcends into a telling cinematic practice of minimalism and control. A poetic exploration that breathes the indomitable spirit of these real characters playing themselves, way above its bleak mise-en-scene.
|
| 2009 (57th) |
No Award[10] | |||
| 2010 (58th) |
Arunima Sharma[11] | Shyam Raat Seher | Hindi | <templatestyles src="Template:Hidden begin/styles.css"/>
For intelligent articulation of a shared urban angst in a powerful cinematic style and well constructed mise-en-scene. The maturity of the director is reflected in the balanced approach to all the elements that blend to create an impression in the viewers mind.
|
| 2011 (59th) |
Iram Ghufran[12] | There is Something in the Air | • Hindi • Urdu • English |
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For weaving a sensitive and confident narrative of lesser-recognized pains and healing and affirming a strong grasp of cinematic language in her very first film.
|
| 2012 (60th) |
Vikrant Pawar [13] | Kaatal | • Marathi | <templatestyles src="Template:Hidden begin/styles.css"/>
For a keen and precise cinematic imagination that creates the world of the film Kaatal, imbuing it with concerns that lift the narrative into another realm that is both in the present and beyond it, with freshness and a distinctive craft.
|
| 2013 (61st) |
Pranjal Dua[14] | Chidiya Udh | – | <templatestyles src="Template:Hidden begin/styles.css"/>
For his unique vision of urban angst told without dialogue. The de-emphasised narrative masterfully blends visual, sound, music and acting.
|
| 2014 (62nd) |
Renu Savant[15] | Aaranyak | Marathi English |
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For its existential definition of layered thoughts and emotion that move through a reflective search to end in an ironic arrival into the real.
|
References
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- ↑ http://dff.nic.in/NonFeaturedFilm_60th_NATIONAL_FILM_AWARDS_2012_Announced.pdf
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