Onufri

For other people called Onouphrios, see Onouphrios. For the publishing house in Albania, see Onufri Publishing House.

File:Onufri statue in Berat Casle.JPG

Statue in Berat.

Onufri or Onouphrios of Neokastro (Greek: Ονούφριος) was an Orthodox icon painter and Archpriest of Elbasan, active in the 16th century in southern Albania and south-western Macedonia. His works are characterized by post-Byzantine and Venetian influences. He also painted portraits, landscapes, and churches.

Life

Little is known with certainty about Onufri's life and his existence only emerged in the early 20th century. Regarding his birthplace only an inscription in the Holy Apostles church, near Kastoria has survived. Onufri is believed to have been born in the early 16th century either in the region of Berat (in today's Albania) or near Kastoria or Grevena (in today's northern Greece). The epithet Argitis, which appears in a fresco near Kastoria may point to Argos (southern Greece) as his place of birth, although as he used it only once it is regarded probable that it refers to a location in the area of Kastoria. He was educated in the Republic of Venice and was a member of the Greek Brotherhood of Venice.

In the climate of the time, the painting of Christian icons can be seen as an act to restore pre-Ottoman culture. He was active in Berat and possibly Venice until 1547. Then he worked in both Berat and Kastoria and in 1555, in Shelcan near Elbasan. He may have also been the painter of various murals in the church of St. Nicholas near Prilep (Republic of Macedonia). After 1554, he lived and painted in the village of Valsh. His works were signed with the title "Protopapas" (Greek: Πρωτόπαππας), demonstrating a senior position in the church hierarchy.

Work

Onufri introduced greater realism and individuality into facial expressions, breaking with the strict conventions of the time. He was the first to introduce the colour pink into icon painting. The secret of this colour was not passed on and died with him. His work is noted for the intense use of colours and the use of natural dyes. According to Georgios Golobias the works of Onufri were significantly influenced by western art, as a result of his possible stay in Venice, being a member of the local Greek fraternity. On the other hand, Manolis Chatzidakis claims that western traces are few and they can be explained due to the contact with the paintings of the Cretan School.

Onufri founded a school of painting in Berat, which was passed on to his son Nikolla, upon his death, and by Onouphrios Cypriotes and Kostandin Shpataraku.

Many of his paintings are stored and displayed at the Onufri Iconographic Museum in a former church in the old town of Berat. A major book publisher in Albania is named after him (Onufri Publishing House).

Gallery

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  "The Resurrection of Lazarus." Byzantine icon painted by Onufri (Onouphrios). 16th century. Museum of Mediaeval Art in Korça.

• Mary and Child.jpg

  Mary and Child. Icon by Onufri (Onuphrios). 16th century.

• Onufri Christus.JPG

  Icon by Onufri. Cathedral of Berat.

• Apostel Petrus (Nikolla Onufri).jpg

  Icon of the Apostle Saint Peter, painted by Nikolla, son of Onufri, second half of 16th century. Today Onufri-Museum Berat.

• Konstantin & Helena.jpg

  The Roman Emperor Constantine I with his mother Helena of Constantinople, who has found the relic of the holy cross in Jerusalem. Icon painted by Nikolla, son of Onufri, in the St. Mary of Blachernae Church, Berat (Albania), second half of 16th century.

External links

• Official Website of the Onufri National Museum
• Icon Museum

• UNESCO Chronicle, Volume 20, 1974 p. 168
• Popa, Theofan. Ikona dhe miniatura mesjetare në Shqipëri. Tirana: 8 Nëntori, 1974.