Pablo O'Higgins

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Pablo Esteban O'Higgins
Born Paul Higgins Stevenson[1]
(1904-03-01)1 March 1904[1]
Salt Lake City, Utah, United States[1]
Died Script error: The function "death_date_and_age" does not exist.[1]
Nationality Mexican[1]
Education Academy of Arts, San Diego[1]
Known for Painting

Pablo Esteban O'Higgins (born Paul Higgins Stevenson; March 1, 1904 - July 16, 1983) was an American-Mexican artist, muralist and illustrator.

Born in Salt Lake City, Utah, O'Higgins was raised there and in San Diego, California.[1] In 1922 he abandoned his first career as a pianist and entered the Academy of Arts in San Diego.[1] Within two years he'd become a student of Diego Rivera, assisting Rivera on his murals at the National School of Agriculture at Chapingo, and the Public Education Secretariat.[2]

Like Rivera, O'Higgins became an active member of the Mexican Communist Party.[1] He immigrated to Mexico permanently in 1924, joined the party in 1927,[1] and maintained his party membership until 1947.[1] His political illustrations for the Daily Worker won him a year's study at the Academy of Art in Moscow on a Soviet Scholarship in 1933.[3]

In 1937, O'Higgins was the co-founder, with fellow artists Leopoldo Méndez and Luis Arenal, of the Taller de Gráfica Popular ("People's Graphic Workshop").[1] The Taller became inspiration to many politically active leftist artists; for example, American expressionist painter Byron Randall went on to found similar artist collectives after becoming an associate member.[4] [5] In May 1940 O'Higgins had the honor of being the only non-native Mexican artist with work included in the seminal "Twenty Centuries of Mexican Art" exhibit organized by the Museum of Modern Art.[3]

In 1961 O'Higgins was awarded honorary Mexican citizenship for "his contributions to the national arts and education".[1] His mural work can be seen at the Abelardo L. Rodriguez Market, Mexico City, and his 1945 is installed in Kane Hall at the University of Washington in Seattle.[6][7][8] The mural depicts SSU’s history as a strongly anti-racist, anti-discriminatory, and progressive force in social politics. [9]

Among O'Higgins' students was the American graphic designer Bob Cato.[10]

Further reading

  • Acevedo, Esther. "Young Muralists at the Abelardo L. Rodriguez Market." in Mexican Muralism: A Critical History, Alejandro Anreus, Robin Adèle Greeley, and Leonard Folgarait. Berkeley and Los Angeles: University of California Press 2012, pp. 125-147.
  • Espinosa Campos, Eduardo. "Pablo O'Higgins: arte mural para las escuelas". In La pintura mural en los centros de educación en México. Pinacoteca 2003.é
  • Flores, Laura. "Pablo O'Higgins: Pintura y Cambio Social." Metamórphosis, Northwest Chicano Magazine of Art and Literature. IV no. 2, col. V no. 1 (1982/1983).ó
  • Fundación Cultural María y Pablo O'Higgins. Pablo O'Higgins, Contruyendo vidas. Mexico City 2005.
  • Hijar, Alberto. Pablo O'Higgins: Apuntes y dibujos de trabajadores. Monterrey: Secretaría de Educación y Cultura 1987.
  • Poniatowska, Elena and Gilbert Bosques. Pablo O'Higgins. Mexico City: Banco Nacional de Comercio Exterior 1984.
  • UNAM. Pablo O'Higgins: Voz de Lucha y Arte. Mexico City: UNAM-Gobierno del Distrito Federal, Gobierno del Estado de Nuevo León, Fundación Cultural María y Pablo O'Higgins, A.C., 2005.
  • Vogel, Susan. Becoming Pablo O'Higgins. San Francisco and Salt Lake City: Pince-Nez Press 2010 isbn978-1930074217

References

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  2. Rochfort, Desmond, Mexican Muralists: Orozco, Rivera Siqueiros, Chronicle Books, San Francisco, 1993
  3. 3.0 3.1 Lua error in package.lua at line 80: module 'strict' not found.
  4. Makin, Jean, ed. (1999). Codex Mendez. Tempe: Arizona State U. See also Prignitz, Helga (1992). El Taller de Gráfica Popular en México 1937–1977. Mexico: Instituto Nacional de Bellas Artes.
  5. Vogel, Susan (2010). Becoming Pablo O’Higgins. San Francisco/Salt Lake City: Pince-Nez Press.
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External links