Robert Bechtle
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| Robert Bechtle | |
|---|---|
| Born | May 14, 1932 San Francisco, California |
| Nationality | American |
| Education | California College of Arts and Crafts |
| Known for | Painting |
Robert Bechtle (born May 14, 1932 in San Francisco, California), is an American painter. He received his Bachelor of Fine Arts (1954) and Master of Fine Arts (1958) from the California College of Arts and Crafts, now the California College of the Arts, in Oakland, California.
Except for his military service in Germany, Bechtle has lived all his life in the Bay Area; and his art is centered on scenes from everyday life.
He started drawing at a young age and, with encouragement from his teachers and his family, pursued a future as an artist. By submitting a portfolio of artwork to a national competition, Bechtle won a scholarship that paid for his first year of college. When he graduated, he was drafted and sent to Berlin, where he painted murals in the Mess Hall and delighted in visiting European museums. Besides making paintings, watercolors, and drawings—he is an accomplished printmaker. Bechtle began in lithography but, after 1982 when Crown Point Press began publishing his prints, worked mainly in etching.
He taught at San Francisco State University (1968- 8–99) and lives in San Francisco's Potrero Hill neighborhood.
Contents
Work
Along with John Baeder, Richard Estes, Chuck Close, Richard McLean, and Ralph Goings, Bechtle is considered to be one of the earliest Photorealists. By the mid-1960s, he had started developing a style and subject matter that he has maintained over his career. Working from his own photographs, Bechtle creates paintings described as photographic. Taking inspiration from his local San Francisco surroundings, he painted friends and family and the neighborhoods and street scenes, paying special attention to automobiles. Bechtle's brushwork is barely detectable in his photo-like renditions. His paintings reveal his perspective on how things look to him, the color, and the light of a commonplace scene. Peter Schjeldahl wrote in The New Yorker that in 1969, when he first noticed a Bechtle painting, he was “rattled by the middle-class ordinariness of the scene.” As he looked more closely, he discovered “a feat of resourceful painterly artifice” that he gradually realized was “beautiful.” The article concludes: “Life is incredibly complicated, and the proof is that when you confront any simple, stopped part of it you are stupefied.”
Career
Robert Bechtle's work has been exhibited internationally and is in the collections of New York City's Museum of Modern Art, Metropolitan Museum of Art, Whitney Museum of American Art, and Guggenheim; Minneapolis's Walker Art Center; the Smithsonian Institution; and the San Francisco Museum of Modern Art.[citation needed]
Bechtle is represented by Barbara Gladstone Gallery in New York City[1] and Gallery Paule Anglim in San Francisco.[2]
"Robert Bechtle: A Retrospective" exhibited at the San Francisco Museum of Modern Art (February 12 - June 5, 2005), the Modern Art Museum of Fort Worth (June 26 - August 28, 2005) and at the Corcoran Gallery of Art.
In May to October 2000, the Oakland Museum led a retrospective of Bechtle's paintings, "California Classic: Realist Paintings by Robert Bechtle".
Bechtle has made prints with Crown Point Press in San Francisco since 1982.[3]
References
External links
- "Southwest Art", 5/2000, 'A California Realist' by Marina Freeman
- 6/1/2006 SFMOMA Press Release
- Photorealism by Louis K. Meisel. Harry N. Abrams, New York, NY, (1980).
- "The New Yorker", 5/2005, 'Parked Cars' by Peter Schjeldahl
- Oral history interview with Robert Alan Bechtle, 1978 Sept. 13-1980 Feb. 1 from the Smithsonian Archives of American Art
- Oral history interview with Robert Bechtle, 2010 Feb. 8-9, a second interview transcribed from the Archives of American Art
- Louis K. Meisel Gallery, NY
