War on Everyone

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War on Everyone
Directed by John Michael McDonagh
Produced by Chris Clark
Flora Fernandez-Marengo
Phil Hunt
Compton Ross
Written by John Michael McDonagh
Starring Alexander Skarsgård
Michael Peña
Theo James
Tessa Thompson
Caleb Landry Jones
Music by Lorne Balfe
Cinematography Bobby Bukowski
Edited by Chris Gill
Production
companies
Reprisal Films
Head Gear Films
Kreo Films FZ
Metrol Technology
Distributed by Saban Films
Release dates
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  • 12 February 2016 (2016-02-12) (Berlin)
Country United Kingdom
Language English

War on Everyone is a 2016 British crime comedy film directed and written by John Michael McDonagh. The film stars Alexander Skarsgård, Michael Peña and Theo James. Filming began on 20 April 2015 in Albuquerque, New Mexico. It was screened in the Panorama section of the 66th Berlin International Film Festival.[1]

Cast

Production

The film is produced by Chris Clark (Legend, Calvary, The Guard), Flora Fernandez-Marengo (Calvary, The Guard, The Betrayal – Nerakhoon), and co-produced by Elizabeth Eves (Calvary, The Guard) for Reprisal Films. Phil Hunt (Belle) and Compton Ross (Trishna) also produce for Head Gear Films, with the support of the BFI Film Fund.

Critical response

Demetrios Matheou from Indiewire writes "I’m not sure if any bad cops in the whole genre of bad cop comedy have paid so little lip service to actual policing as the pair in John Michael McDonagh’s "War on Everyone." And I’m not sure that the genre has produced such an irresistibly funny film." [3]

Peter Debruge, Variety Chief International Film Critic said "McDonagh writes his clever, coal-black heart out, delivering another firecracker script, whose explosively entertaining execution boasts considerably more commercial potential than his previous two indies, Calvary and The Guard[4]

Vanity Fair said "The opening sequences of War on Everyone are so furiously fast and funny it's nearly unimaginable that McDonagh can sustain the pace. And yet he does. When the script eases up on the rapid-fire quips, segueing into hilarious music cues (all that Campbell!) and slapstick violence, it brings its best game. Because these flawed but funny characters have dimension, depth, deep desires and, damn it, cry out for a franchise.’"[5]

References

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External links

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