Weyes Blood
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Weyes Blood | |
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Weyes Blood seated at a piano, looking to her side
Weyes Blood performing in 2019
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Background information | |
Birth name | Natalie Laura Mering |
Born | Santa Monica, California, U.S. |
June 11, 1988
Genres | |
Occupation(s) |
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Instruments | |
Years active | 2003–present |
Labels |
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Associated acts |
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Website | http://www.weyesblood.com/ |
Natalie Laura Mering (born June 11, 1988),[4] known professionally as Weyes Blood (pronounced /waɪzblʌd/), is an American singer, songwriter, and musician. She was primarily raised in Doylestown, Pennsylvania. She has been performing her own material under variations of the name Weyes Blood since 2003.[5]
Her music has undergone significant changes throughout her career. She has been involved in the underground noise music scene and was briefly bassist of the Portland, Oregon-based group Jackie-O Motherfucker[3] and was singer for the band Satanized.[6] As Weyes Bluhd she made two self-released albums, changing to Weyes Blood to release The Outside Room (2011) on microlabel Not Not Fun Records. She then signed with independent label Mexican Summer, releasing The Innocents (2014) and Front Row Seat to Earth (2016). She released her latest studio album, Titanic Rising (2019) on Sub Pop, to critical acclaim.
Contents
Life and career
1988–2002: Early life
Natalie Laura Mering[7] was born on June 11, 1988 in Santa Monica, California,[8] into a deeply religious born again Pentecostal Christian family.[9] Commenting on her upbringing, Mering said: "I was raised in a real spiritual, Bible Belt household. So I developed my own cynicism because there are always things in the Bible that really bum me out.... I became really obsessed with the Kids in the Hall as a kid, and they had Scott Thompson, who's like the one gay member. I remember having this feeling that ‘Oh, Scott Thompson isn't going to heaven? How could that be?’ That was my first big tipoff that something wasn't quite right with dogmatic Christianity. And then I was just trying to undo it at the age of 12."[10]
Mering's family moved several times throughout her childhood; she spent her early life in Scotts Valley, California[11] before they settled in Doylestown, Pennsylvania in 1999, where she attended high school.[12] Both her older brothers and parents are musicians and music played an important part in her upbringing. Her father, Sumner Mering, is a musician and guitarist who was in a Los Angeles new wave band entitled Sumner in the late 1970s.[10]
2003–2014: Career beginnings and The Innocents
At the age of 15 Mering began using the moniker Wise Blood (a reference to the Flannery O’Connor novel) to write songs.[13] She changed to Weyes Bluhd on several self released records before changing the spelling to Weyes Blood.[11][14] After finishing high school, Mering relocated to Portland, Oregon to attend Lewis & Clark College, where she majored in music[15] and had a radio show on the campus radio station.[16] However, Mering dropped out after her first year of studies.[15] She subsequently began touring the underground music scene, performing as a bassist in the Portland-based band Jackie-O Motherfucker[17] and playing keyboards and singing with noise rock band Satanized.[6]
In 2011 she released their debut album The Outside Room as Weyes Blood And The Dark Juices on Not Not Fun Records.[18][19] Uncut magazine described the album as ''devotional and ethereal, but with an edge",[20] while Beatbots found it "an impressive and ambitious album".[21] Mering released her second record in October 2014 called The Innocents, which was released through Mexican Summer.[22] It was recorded in rural Pennsylvania, Mering's apartment and Gary's Electric Studio in Greenpoint, Brooklyn.[11] It included contributions by Jacob Brunner (drums) and James Strong (bass).[14] Mering described the theme of the album as being "about my first real relationship that went really awry."[11]
2014–2021: Front Row Seat to Earth and Titanic Rising
After the album's release, Mering relocated from New York to Los Angeles, California. She commented: "I was in New York alone: no friends, no money, no record deal at the time. Literally I had nothing."[23] In 2016, she released her third album Front Row Seat to Earth, on Mexican Summer to critical acclaim, and toured throughout Europe and the States.[24] NPR wrote that the album reexamines "intimacy and idealism in ways that showcase Mering's gift for measuring and mediating heady emotions."[24] Mering stated the songs on the album were largely inspired by the isolation she felt while living in New York.[23]
On February 12, 2019, a new album titled Titanic Rising was announced and available to pre-order on her website, along with dates of her upcoming tour.[25] The album was released by Sub Pop on April 5, 2019 to critical acclaim.[26] Mering describes Titanic Rising as "The Kinks meet WWII or Bob Seger meets Enya."[27] Other influences include Kate Bush and Karen Carpenter.[28] Titanic Rising is described as a record about romantic disappointment, damaged reality, and finding hope.[29]
The record received high placements on year-end and decade-end lists from publications such as Pitchfork, Uproxx, Paste, Uncut, Dazed, The Guardian'", and NPR.[30] On July 16, 2019, she had her TV debut on Late Night with Seth Meyers, where she performed her single "Everyday" from Titanic Rising.[31] Live performance highlights include sold-out tours in the US and Europe, as well as opening for Kacey Musgraves in the fall of 2019 and singing with Lana Del Rey at the Hollywood Bowl.[30]
Mering was heavily involved in the 2020 Tim Heidecker album Fear of Death, singing on all twelve tracks, co-writing two and receiving a co-producer credit.[32] She received wider attention when she featured (along with Zella Day) on the closing track of the 2021 Lana Del Rey album Chemtrails over the Country Club, a cover of the Joni Mitchell song "For Free".
On October 29, 2020, she helped canvass for the Democratic Socialists of America.[33]
2022–present: And in the Darkness, Hearts Aglow
On September 12, 2022, Mering announced her fourth studio album And in the Darkness, Hearts Aglow set for release on November 18, 2022, and released its lead single "It's Not Just Me, It's Everybody" the same day. In promotion of the album she will embark on the In Holy Flux Tour across North America and Europe in 2023.[34]
Influences
Mering has stated that church music, which figured prominently in her upbringing, has been an influence on her songwriting.[10] "Most of the great classical music and early music of our time is written for God in a sacred space," she said. "So sacred music and sacred space music — that was my favorite thing about music. Not so much content-wise. Not so much the theory and concept of God, but just the idea that we've built this gigantic, stone cathedral palace for people to sing in...When I record, I think about sacred space and I think about what would be the sound of your soul if there is music coming out of it. It would probably be an echoey, strange chamber."[10] In an interview with Nardwuar in 2019 she revealed that she is also influenced by The Velvet Underground, Wolf Eyes, and experimental artist Inca Ore. Mering states in the same interview that early in her career while making experimental music, people likened her songs to horror film soundtracks. So she began to listen to and be influenced by film soundtracks such as Jaws and The Wizard of Oz.[35]
Mering is also highly influenced by the late singer songwriter, Harry Nilsson, in both singing style and songwriting.[36]
Discography
Studio albums
Title | Details | Peak chart positions | |||
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US Sales [37] |
US Heat [38] |
US Indie [39] |
UK [40] |
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The Outside Room |
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— | — | — | — |
The Innocents |
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— | — | — | — |
Front Row Seat to Earth |
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— | 23 | — | — |
Titanic Rising |
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34 | 3 | 6 | 68 |
And in the Darkness, Hearts Aglow |
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To be released | |||
"—" denotes a release that did not chart. |
Extended plays
Title | EP details |
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Angels in America / Weyes Blood Split |
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Cardamom Times |
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Myths 002 (alongside Ariel Pink) |
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Rough Trade Session |
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Singles
Year | Single | Album |
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2015 | "Cardamom" |
Cardamom Times
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2017 | "Tears on Fire" (alongside Ariel Pink) |
Myths 002
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"A Certain Kind"/"Everybody's Talkin'" |
A Certain Kind b/w Everybody's Talkin'
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2019 | "Andromeda" |
Titanic Rising
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"Everyday" | ||
"Movies" | ||
2020 | "Oh How We Drift Away" (alongside Tim Heidecker) | |
2021 | "Titanic Risen" |
Titanic Rising
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2022 | "It's Not Just Me, It's Everybody" |
And in the Darkness, Hearts Aglow
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Music videos
Year | Title | Director(s) |
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2010 | "Candy Boy" | Unknown |
2014 | "Some Winters" | Winston H Case |
2015 | "Bad Magic" | Joey Frank |
"In the Beginning" | Kai Davey-Bellin and Laura-Lynn Petrick | |
2016 | "Seven Words" | Charlotte Linden Ercoli Coe |
"Do You Need My Love?" | Natalie Mering | |
"Generation Why" | ||
"Used to Be" | Laura-Lynn Petrick | |
2017 | "Tears on Fire" (with Ariel Pink) | Charlotte Linden Ercoli Coe |
2019 | "Everyday" | Natalie Mering[42] |
"Movies" | ||
2020 | "Wild Time" |
Collaborations
Year | Song | Album | Artist |
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2008 | "Jesse's Party" | Together Again | Raw Thrills |
"I Lost Something in the Hills" | Drugs | ||
2011 | "Where" | So Post | |
2013 | "One Side Art" | Essential Thrills | |
2012 | "Early Birds of Babylon" | Mature Themes[12] | Ariel Pink's Haunted Graffiti |
2015 | "The Chat" | Timeline[43][44] | Mild High Club |
2017 | "Suddenly" | The End of Comedy[45] | Drugdealer |
"The End of Comedy" | |||
"Sides" | No Shape | Perfume Genius | |
"Friend of Lindy Morrison" | Bravado | Kirin J. Callinan | |
"Runnin' Outta Luck" | Forced Witness | Alex Cameron | |
"Politics of Love" | |||
2018 | "Blessed Be the Meek (Let Me Be)" | Mondo Combo | Raw Thrills |
"God's Favorite Customer" | God's Favorite Customer | Father John Misty | |
"Grey Area" | Like a Baby | Jerry Paper | |
2019 | "Honey" | Raw Honey | Drugdealer |
2020 | "Fear of Death" (and entire album) | Fear of Death | Tim Heidecker |
"My God" | Imploding the Mirage | The Killers | |
2021 | "Holocene" | Zella Day | |
"For Free" (Joni Mitchell cover) | Chemtrails over the Country Club | Lana Del Rey (and Zella Day) |
Awards and nominations
Year | Association | Category | Nominated Work | Result | Ref |
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2020 | Libera Awards | Best Indie Rock Album | Titanic Rising | Won | [46] |
References
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- ↑ https://omny.fm/shows/the-poundcast/142-weyes-blood 13:10 "So you started about 10 years ago?..." "...fifteen!" "...as Weyes Blood?" "Yup." "Queen."
- ↑ 6.0 6.1 http://nardwuar.com/rad/nardwuar-vs-weyes-blood-2/ 20:32 "I was the singer of a band called Satanized and it was a weird, mathy metal band..."
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External links
Wikimedia Commons has media related to Weyes Blood. |
Lua error in package.lua at line 80: module 'strict' not found. Template:Weyes Blood
- Articles with short description
- Use mdy dates from December 2015
- Pages with broken file links
- Articles with hCards
- Commons category link is defined as the pagename
- 1988 births
- American contraltos
- Living people
- Lewis & Clark College alumni
- Mexican Summer artists
- Members of the Democratic Socialists of America
- Musicians from the San Francisco Bay Area
- Musicians from Santa Monica, California
- Musicians from Portland, Oregon
- People from Doylestown, Pennsylvania
- Singers from Los Angeles
- Singers from Oregon
- Singers from Pennsylvania
- 21st-century American women
- Feminist musicians